{"id":573,"date":"2019-10-05T14:39:39","date_gmt":"2019-10-05T14:39:39","guid":{"rendered":"https:\/\/www.lingstud.od.ua\/?p=573"},"modified":"2019-10-18T14:50:34","modified_gmt":"2019-10-18T14:50:34","slug":"28_7","status":"publish","type":"post","link":"https:\/\/www.lingstud.od.ua\/en\/2019\/10\/05\/28_7\/","title":{"rendered":"STYLISTIC MEANS OF EXPRESSING TRANS-HUMANISM IN \u201cSPRAWL\u201d TRILOGY BY WILLIAM GIBSON"},"content":{"rendered":"<p style=\"text-align: justify;\">Donets Paul<a href=\"https:\/\/www.lingstud.od.ua\/archive\/2019\/28\/7.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-470 alignright\" src=\"https:\/\/www.lingstud.od.ua\/wp-content\/uploads\/2019\/09\/833px-PDF_file_icon.svg_-e1568127429360.png\" alt=\"pdf\" width=\"69\" height=\"85\" \/><\/a><br \/>\nState Institution \u201cSouth Ukrainian National Pedagogical University named after K. D. Ushynsky\u201d, Odessa, Ukraine<br \/>\nE-mail: dp85@ukr.net<br \/>\nORCID ID: https:\/\/orcid.org\/0000\u20130001\u20136759\u20130920<br \/>\nDOI: https:\/\/doi.org\/10.24195\/2616-5317-2019-28-7<\/p>\n<hr \/>\n<p style=\"text-align: justify;\">Key words: immortalism, cyberpunk, cyberspace, posthuman, science fiction, transhumanism.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\">The article examines stylistic devices in which American-Canadian writer William Gibson expresses transhumanist ideas. The author is famous for being one of the pioneers and brightest representatives of science fiction subgenre, known as cyberpunk. His debut trilogy \u201cSprawl\u201d, which touches upon social, moral and ethical issues of using advanced technologies, has been chosen as an object to be studied. It is found out that the message translated by the author is controversial: while having some obvious transhumanist indications, it also has various alarmist traits, which can be observed at stylistic and lexical level. In its simplest form, this is manifested in the special use of epithets, metaphors, similes, hyperbolas and other stylistic means. In some cases the series rather opposes transhumanism than reproduces its techno-optimistic discourse. It follows the warning trends of modern English-language science fiction, relying on such classic dichotomies as \u201cnatural \/ artificial\u201d and \u201chuman \/ non-human\u201d. The tropes and figures of speech used by the author are in most cases emotionally expressive, that is, they contain elements of value (both positive and negative).<\/p>\n<hr \/>\n<p style=\"text-align: center;\">REFERENCES<\/p>\n<p style=\"text-align: justify;\">1. Baeva, L. V. E-Homo sapiens: virtual\u2019nyj mikrokosm i global\u2019naya sreda obitaniya \/ L. V. Baeva, I. YU. Alekseeva \/\/ Filosofskie problemy informacionnyh tekhnologij i kiberprostranstva. \u2014 Pyatigorsk: PGLU, 2014. \u2014 \u2116 1. \u2014 S. 86\u201397.<br \/>\n2. Voronkova, V. G. Koncepcii vzaimosvyazi cheloveka, soznaniya, razuma v kontekste virtual\u2019no-informacionnogo prostranstva \/ V. G. Voronkova \/\/ Filosofiya i kosmologiya. \u2014 Poltava: Poltavs\u2019ky\u2019j literator, 2013. \u2014 S. 170\u2013182.<br \/>\n3. Delyoz, Zh. Anti-Edip. Kapitalizm i shizofreniya \/ Zh. Delyoz, F. Gvattari. \u2014 \u0435katerinburg: U-Faktoriya, 2008. \u2014 672 s.<br \/>\n4. Cheklecov, V. V. Chuvstvo planety. Internet Veshchej i sleduyushchaya tekhnologicheskaya revolyuciya \/ V. V. CHeklecov. \u2014 M.: Rossijskij issledovatel\u2019skij centr po Internetu Veshchej, 2013. \u2014 130 s.<br \/>\n5. Enciklopediya fantastiki. Kto est\u2019 kto \/ Sost. Vl. Gakov. \u2014 Mn.: Galaksias, 1995. \u2014 694 s.<br \/>\n6. Alvarado, R. C. Science Fiction as Myth: Cultural Logic in Gibson\u2019s Neuromancer \/ R. C. Alvarado \/\/ Science Fiction and Computing: Essays on Interlinked Domains. \u2014 Jefferson: McFarland, 2011. \u2014 pp. 205\u2013213.<br \/>\n7. Benedikt, M. Cyberspace: Some Proposals \/ M. Benedikt \/\/ Cyberspace: First Steps. \u2014 Cambridge: MIT Press, 1992. \u2014 pp. 119\u2013224.<br \/>\n8. Brians, E. The \u2019Virtual\u2019 Body and the Strange Persistence of the Flesh: Deleuze, Cyberspace and the Posthuman \/ E. Brians \/\/ Deleuze and the Body. \u2014 Edinburgh: Edinburgh University Press, 2011. \u2014 pp. 117\u2013143.<br \/>\n9. Carr, J. The Dirty Joke of Cyberpunk or the Humanism of Posthumanism in the Cyberpunk Tradition: Epigenetic Memory and Technology in Gibson\u2019s Neuromancer and Stephenson\u2019s Snow Crash \/ J. Carr. \u2014 Tempe: Arizona State University, 2013. \u2014 60 p.<br \/>\n10. Clark, A. Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence \/ A. Clark. \u2014 Oxford: Oxford University Press, 2003. \u2014 229 p.<br \/>\n11. Graham, E. L. Representations of the Post\/human: Monsters, Aliens and Others in Popular Culture \/ E. L. Graham. \u2014 Manchester: Manchester University Press, 2002. \u2014 259 p.<br \/>\n12. Hayles, N. K. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics \/ N. K. Hayles. \u2014 Chicago: University of Chicago Press, 1999. \u2014 350 p.<br \/>\n13. Kellner, D. Media Culture: Cultural Studies, Identity, and Politics between the Modern and the Postmodern \/ D. Kellner. \u2014 London: Routledge, 1994. \u2014 368 p.<br \/>\n14. Roberts, A. Science Fiction \/ A. Roberts. \u2014 London: Routledge, 2006. \u2014 159 p.<br \/>\n15. Thomas, D. Old Rituals for New Space: Rites de Passage and William Gibson\u2019s Cultural Model of Cyberspace \/ D. Thomas \/\/ Cyberspace: First Steps. \u2014 Cambridge: MIT Press, 1991. \u2014 pp. 30\u201348.<br \/>\n16. Young, S. Designer Evolution: A Transhumanist Manifesto \/ S. Young. \u2014 Amherst: Prometheus Books, 2006. \u2014 417 p.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Donets Paul State Institution \u201cSouth Ukrainian National Pedagogical University named after K. D. Ushynsky\u201d, Odessa, Ukraine E-mail: dp85@ukr.net ORCID ID: https:\/\/orcid.org\/0000\u20130001\u20136759\u20130920 DOI: https:\/\/doi.org\/10.24195\/2616-5317-2019-28-7 Key words: immortalism, cyberpunk, cyberspace, posthuman, science fiction, transhumanism. The article examines stylistic devices in which American-Canadian writer William Gibson expresses transhumanist ideas. The author is famous for being one of the <a href=\"https:\/\/www.lingstud.od.ua\/en\/2019\/10\/05\/28_7\/\" class=\"more-link\">...continue reading<span class=\"screen-reader-text\"> \"STYLISTIC MEANS OF EXPRESSING TRANS-HUMANISM IN \u201cSPRAWL\u201d TRILOGY BY WILLIAM GIBSON\"<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[],"class_list":["post-573","post","type-post","status-publish","format-standard","category-64","h-entry","hentry","h-as-article"],"_links":{"self":[{"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/posts\/573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/comments?post=573"}],"version-history":[{"count":10,"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/posts\/573\/revisions"}],"predecessor-version":[{"id":1671,"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/posts\/573\/revisions\/1671"}],"wp:attachment":[{"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/media?parent=573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/categories?post=573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lingstud.od.ua\/en\/wp-json\/wp\/v2\/tags?post=573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}