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\u00abScientific\u00a0Research Issues of South Ukrainian National Pedagogical University named after\u00a0K.\u00a0D.\u00a0Ushynsky: Linguistic Sciences\u00bb\u00a0has been published by South Ukrainian National Pedagogical University named\u00a0after\u00a0K.\u00a0D.\u00a0Ushynsky since 2005.\u00a0Certificate\u00a0of\u00a0state\u00a0registration\u00a0of\u00a0print\u00a0media:\u00a0Series \u041a\u0412 24068-13908\u041f\u0420 (31. 07. 2019).<\/p>\n
Full Issue\u00a0 \u00a0 Content<\/span><\/strong><\/p>\n Vladyslava Akkurt, Alexandru Procopenco, Rymma Pastyr <\/span><\/em><\/strong><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-1<\/strong><\/em><\/p>\n Veronika Bialik, Ilona Derik <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-2<\/strong><\/em><\/p>\n Natalia Gavrilyuk <\/span><\/em><\/strong><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-3<\/strong><\/em><\/p>\n Olena Hlushchenko <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-4<\/strong><\/em><\/p>\n Daria Hnatenko, Yuliia Venher, Tetyana Druzhyna <\/span><\/em><\/strong><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-5<\/strong><\/em><\/p>\n Veronika Horoshko, \u0422etiana Korolova <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-6<\/strong><\/em><\/p>\n Svitlana Hrushko <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-7<\/strong><\/em><\/p>\n Alona Hutsol, Anastasiia Yumrukuz <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-8<\/strong><\/em><\/p>\n Ilona Derik, Kateryna Chebanenko <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-9<\/strong><\/em><\/p>\n Natalya Zhmayeva, Iaroslav Petrunenko <\/span><\/em><\/strong><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-10<\/strong><\/em><\/p>\n Yulia Voloshchuk, Natalya Zhmayeva\u00a0<\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-11<\/strong><\/em><\/p>\n Mykola Zymomrya, Nataliia Naumenko <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-12<\/strong><\/em><\/p>\n A Forgotten Character of the East Slavic demonology: *\u041a\u0430\u043d\u0442\u044b\u0441\u0430\u0440 (Reconstruction of the Form and Semantics of the Image)<\/a><\/p>\n Alexander Iliadi <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-13<\/strong><\/em><\/p>\n Representation of the Strategy of Persuasion in\u00a0the\u00a0Translation Victoria Kovalchuk, Vladyslava Akkurt <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-14<\/strong><\/em><\/p>\n Kseniia Kuli-Ivanchenko, Olena Velychenko <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-15<\/strong><\/em><\/p>\n Anastasiia Lahutik, Tetiana Korolova <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-16<\/strong><\/em><\/p>\n Svitlana Maslova <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-17<\/strong><\/em><\/p>\n Khristina Mykhailichenko <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-18<\/strong><\/em><\/p>\n T\u0435tiana Korol\u043eva, Tetiana Noriak <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-19<\/strong><\/em><\/p>\n Olexandra Popova, Oleg Bolgar, Anastasiia Tomashevska<\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-20<\/strong><\/em><\/p>\n Anastasiia Ruda <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-21<\/strong><\/em><\/p>\n Tetiana Savich, Anna Shapoval, Olena Velychenko <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-22<\/strong><\/em><\/p>\n Yevheniia Savchenko, Alona Hurkovska <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-23<\/strong><\/em><\/p>\n Yevheniia Savchenko, Oleksandra Kosiuha <\/span><\/em><\/strong><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-24<\/strong><\/em><\/p>\n Tetiana Stoianova, Yuliia Stoianova <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-25<\/strong><\/em><\/p>\n Tetiana Stoianova, Ksenia Chernenko <\/span><\/strong><\/em><\/p>\n DOI: https:\/\/doi.org\/10.24195\/2616-5317-2020-31-26<\/strong><\/em><\/p>\n Stoianova Tetiana, Anastasiia Shevchenko <\/span><\/strong><\/em><\/p>\n![\"pdf\"](\"https:\/\/www.lingstud.od.ua\/wp-content\/uploads\/2019\/09\/833px-PDF_file_icon.svg_-e1568127429360.png\"){kind=icon}
<\/a><\/p>\n
\n<\/a>Features and Problems of Translation of English-Language Songs by Ukrainian Video Bloggers\u00a0<\/a><\/p>\n
\n<\/a>Reproduction of Tropes in the Poetical Work of E. A. Poe \u201cDreams\u201d Translated from English into Chinese\u00a0<\/a><\/p>\n
\n<\/a>Meteorological Vocabulary in Ukrainian and Chinese Languages: Systematic Translation\u00a0<\/a><\/p>\n
\n<\/a>Constitutive Parameters of a Sports Commentary as\u00a0a\u00a0Genre
\nof Sports Discourse\u00a0<\/a><\/p>\n
\n<\/a>The Peculiarities of Translating English Computer Multimedia
\nVideo Games\u00a0<\/a><\/p>\n
\n<\/a>Peculiarities of Rendering of English Tell-Tale and Pun Names in Translations of T. Pratchett\u2019s Books\u00a0<\/a><\/p>\n
\n<\/a>Language Code of Perception of Scientific Text
\nin the Communicative Act of the Author and Recipient\u00a0<\/a><\/p>\n
\n<\/a>Features of the Reproduction of Folklore Elements
\nin the Translation of Ukrainian Folktales\u00a0<\/a><\/p>\n
\n<\/a>Means of Representation of Non-Verbal Elements of\u00a0Speech
\nEtiquette in the Translation of Business Discourse\u00a0<\/a><\/p>\n
\n<\/a>Readdressing Translation Strategy in Literary Translation\u00a0<\/a><\/p>\n
\n<\/a>Specifics of Translating English-Language News Texts
\ninto Ukrainian (Based on the OSCE News Texts)<\/a><\/p>\n
\n<\/a>Convergence of Literary Continents\u00a0<\/a><\/p>\n
\n<\/a><\/p>\n
\n
\nof English Advertising Texts of\u00a0the\u00a0Beauty Industry
\ninto the Ukrainian Language<\/a><\/a><\/p>\n
\n<\/a>The Issue of the Peculiarities of Ethno-Psycholinguistic Stereotypes in Translation<\/a><\/p>\n
\n<\/a>Author's Style of J. K. Rowling<\/a><\/p>\n
\n<\/a>On the Issue of Translating an Essay<\/a><\/p>\n
\n<\/a>Lingvo Stylistic Features of Translation of Political Discourse
\nin the United States (Based on Speeches by\u00a0B.\u00a0Obama
\nand D. Trump)<\/a><\/p>\n
\n<\/a>Explication and Implication when Dubbing English Films
\ninto Ukrainian\u00a0<\/a><\/p>\n
\n<\/a>Translation Techniques of Stylistic Phenomena
\nin a TV Interviewer\u2019s Speech\u00a0<\/a><\/p>\n
\n<\/a>Invitation as a Type of Business Documentation: Translation
\nAspect\u00a0<\/a><\/p>\n
\n<\/a>Linguistic and Pragmatic Aspect of Translation of\u00a0English Medical
\nTV-Series into Ukrainian\u00a0<\/a><\/p>\n
\n<\/a>Features of Translation of Tourist Advertising Texts\u00a0<\/a><\/p>\n
\n<\/a>Tactics and Operations in English Translations of\u00a0Ukrainian
\nFolk Tales<\/a><\/p>\n
\n<\/a>Peculiarities of Rendering English Interrogative Constructions in Ukrainian Translation\u00a0<\/a><\/p>\n
\n<\/a>Peculiarities of Translation of English Humor in Ukrainian<\/a><\/p>\n
\n<\/a>Peculiarities of Translation of the Ukrainian-Language Cultural-
\nSpecific Text into English<\/a><\/p>\n